A Very Photogenic Comet

"Comets are like cats: they have tails, and they do precisely what they want." - David H. Levy

I must admit, when I first heard that comet C/2020 F3 (NEOWISE) was on course to reach naked-eye visibility, my initial reaction was one of mild scepticism. After all, similar predictions had been made about comet C/2019 Y4 ATLAS (which promptly disintegrated) and comet C/2020 F8 SWAN (which also fizzled out). However, NEOWISE didn't just live up to expectations, it surpassed them - becoming certainly the best comet I've seen since Hyakutake and Hale-Bopp, the two Great Comets of the 90s.

Bright though it is however, NEOWISE (named after the space telescope that discovered it) is by no means a Great Comet like those two. Nor is it the first significant comet of the digital age (that honour must go to the spectacular Comet C/2006 P1 McNaught), but - due to its favourable placing for observers in the northern hemisphere - it's likely to become the most photographed comet in history (at least until the next bright one comes along). This is the fifth comet I've pointed a camera at, and it's easily the most photogenic, even if it did require me to leave the house at some very unsociable hours.

Comet NEOWISE should remain visible for the rest of the month, although it will - barring outbursts - become progressively fainter. At time of writing NEOWISE can be found in the late evening sky below Ursa Major (see the links at the end of this post for finder charts). You don't need a telescope to spot it; if your sky is dark enough it should be visible to the naked eye, and a modest pair of binoculars will give a really good view.

You don't necessarily need a long lens either if you want to try and photograph it (the image at the top of this post was taken with a standard 50mm prime). However, you will need a tripod and some means of operating the shutter without touching the camera (either a timer delay or a cable release). As I was shooting at a high ISO I also stacked multiple images and subtracted dark frames to further improve the signal-to-noise ratio. Here's another one taken at 400mm, showing the characteristic golden dust tail:

It's worth making the effort to see Comet NEOWISE at least once before it's gone; after all, it won't return to the inner solar system for nearly 7,000 years.

Links:
How to see Comet NEOWISE over the coming nights (Sky at Night Magazine)
Comet NEOWISE dazzles at dusk (Sky & Telescope)

Siril: Old Data, New Tricks

Siril (https://www.siril.org/) is a (relatively) new freeware program for stacking and processing astronomical images. I've been using it for a couple of months now and although I'm still very much in the learning curve stage, I'm already finding it to be significantly better than its freeware rivals.

Shown below is a crop of an image of Messier 33 (the Triangulum Galaxy), compiled from two hours of data and processed in Siril. Move your cursor over the image to see my previous attempt at processing the same data in DeepSkyStacker (DSS).

 

(The full-size version of this image is available on my Flickr page.) As you can see, the improvement is quite dramatic, particularly in the faint outer spiral arms where a wealth of extra detail is revealed. Siril also does a much better job of preserving the colour information from the original raw files. If you've used DSS to stack raw files you may have noticed that the colours come out very muted (as explained in this informative thread on Cloudy Nights). Prior to using Siril, my workaround was to stack the data again in Sequator (effectively using that as an RGB layer and the DSS output as a luminance layer), which always seemed an unnecessarily convoluted way of going about things considering I'm not a dedicated astro-imager.

So how does it work? Video tutorials and manuals are available online, but here's a quick step-by-step guide (applicable to version 0.9.12) to get you started.

When you install Siril it will create four sub-folders in your Pictures directory, one each for light frames, dark frames, flats and bias frames. Make sure your raw files are in the appropriate folders and from the Siril menu select Scripts > DSLR_preprocessing. (Variant scripts are available if you don't collect darks or flats or some other combination.) You'll need a generous amount of disk space because Siril will create individual fit files for every single raw file - but you can safely delete these once the process is completed (just don't delete your raws!).

A live Output Log window shows the script's progress. It takes between 30 and 60 minutes to run on my laptop (about the same time as DeepSkyStacker).

Upon completion, the script will save a file called result.fit in your Pictures folder. This is the linear 32-bit file (if you've used DeepSkyStacker it's equivalent to the autosave.tif file) and it will look excessively dark because most of the useful data is bunched over to the far left of the histogram. At this point I would recommend renaming the result.fit file to something more meaningful and keeping it somewhere safe, just in case you later find you've overcooked your histogram-stretching and want to have another crack at it.

The image will require a bit of work before it's ready for processing in Photoshop or whatever your preferred image editor is. Fortunately Siril has all the tools you need under the Image Processing menu.

First, change the Display Mode dropdown at the bottom of the image screen from Linear to AutoStretch or Histogram to get a better sense of the quality of your data. The Histogram display mode (like Equalize in Photoshop) is useful for showing the dark boundaries caused by tracking drift over the course of the imaging session. Draw a box on the image to exclude these dark areas and then right-click and select Crop. (You can always carry out a more precise crop later on in Photoshop.)

Siril image window in AutoStretch display mode

The Histogram preview will also show if there's a light pollution gradient in your image. Remove this by selecting Image Processing > Background Extraction. You can select background samples manually or click on the Generate button to have Siril select them automatically. Then click Apply to correct the image.

Change the display mode back to AutoStretch. The RGB image will now likely have a strong green tint. Remove this by selecting Image Processing > Remove Green Noise... and click on Apply.

Any remaining colour bias can be corrected by selecting Image Processing > Colour Calibration > Colour Calibration. Here you'll need to select an empty part of the background before clicking on Use Current Selection and then Background Neutralisation. Then repeat the process for the White Reference section (this time drawing a box around the brightest part of the image).

Now you're ready to begin stretching the image. Change the preview mode back to Linear and select Image Processing > Histogram Transformation. You may have to magnify the histogram to see where the data is. Drag the Midtones slider to the left and the Shadows slider to the right (making sure you don't clip your data). Click on Apply to apply the transformation. As you're probably aware, histogram stretching is an iterative process and will need to be repeated several times to get the desired result. (Hopefully the preview display modes will have given you an idea of where the data ends in your image and where the noise begins.) For images with complex dynamic ranges (such as the Orion Nebula) you may have to create two separate stretched images (one for the core and one for the fainter outer regions, and carefully layer them together in Photoshop).

Siril histogram window

Other functions on the image processing menu which may be useful at this stage include Colour Saturation (for boosting the colour), Median Filter (for reducing noise), and Deconvolution (for sharpening) - although the latter does take a long time to run. Otherwise, you can export the image as a 16-bit TIF by selecting File > Save as... ready for finishing off in Photoshop or your image editor of choice.

Here's one more example, showing Messier 27 (the Dumbbell Nebula) in Vulpecula. Again, move your cursor over the image to see the original (DSS) version.

 

(A larger crop of this image is available on my Flickr page.) Detail-wise, the differences are subtle (because M27 is one of the brighter DSOs), but look closer and you'll see that the fainter outer regions of the nebula stand out more clearly in the Siril version. I also prefer the rich blue colour in the newer version. Which one do you prefer?

2019 in Pictures

A very wet (and unseasonably cold) autumn put a bit of a dampener on 2019, but otherwise it was another good year for photos, with a few surprises along the way...

January
An old favourite to begin - a Stonechat at North Foreland:

February
A long overdue return visit to Bossenden to see some woodland birds, including this Coal Tit:

And a Nuthatch:

March
A Guillemot (not a penguin) stretching its wings at Ramsgate:

No mistaking this Yellowhammer at Dover:

April
More wing-spreading, this time courtesy of a Tufted Duck at Stodmarsh:

 

May
A Pied Crow (of all things) on Broadstairs jetty:

June
+ 1 Peregrine, -1 pigeon:

I'd like to tell you I spent hours patiently waiting for a glimpse of this elusive Purple Heron, but it emerged from the reeds only a few minutes after I entered the hide. After catching a couple of fish it flew off - apparently never to be seen again. Sometimes (but only sometimes) I'm in the right place at the right time.

July
The month in which winged insects take centre-stage, while the birds enjoy a well-earned break.
This is the first shot of a Banded Demoiselle I've managed where the wings weren't completely closed:

 

August
X marks the Dragonfly spot:

September
A Snipe at Stodmarsh, photographed from the Reedbed Hide:

This very charming Grey Phalarope at Birchington was another first for me in 2019. I took a Friday off work to see it (and lucky I did because it was gone by Saturday).

October
An shot looking over the cliff at the Kingsgate Sanderling roost:

November
This might well be the second-most photographed bird in England (after that Cuckoo at Thursley Common), but I never get tired of seeing a Kingfisher:

December
And finally, the obligatory Kestrel, seen here flying off with a tasty meal:

All the photos on this page were taken with a Canon 80D DSLR and my trusty Tele Vue-60 refractor  - that's right, no autofocus.

Meet the Galactic Neighbours

What's the most distant object you can see with the naked eye? Unless you live near a dark-sky site (and have exceptional eyesight) the answer is most likely the Andromeda Galaxy. To find it, go outside on a clear, moonless autumn evening and allow a few minutes for your eyes to adjust to the dark. The Andromeda Galaxy is located about midway between the square of Pegasus and the "W" of Cassiopeia.

You should be able to see a faint smudge of light that increases in size when you look slightly to one side of it. (If you're not sure you're looking in the right place, use a pair of binoculars and you should spot it straight away.) That faint smudge of light takes on new meaning when you consider it's a vast complex of stars and dust and gas 220,000 light years across and 2.5 million light years away. It's also barrelling towards us at 110 kilometres per second, so if you hang around a few billion years it's going to get a whole lot bigger and brighter.

In the meantime we'll have to make do with views like the one below. This is an image I made from an hour's worth of exposures using a Canon 80D DSLR and a Tele Vue-60 refractor (focal length approximately 400 mm):

Telescopically, M31 is impressive whatever instrument you point at it, but picking out the kind of detail shown in the photo above is more of a challenge than you might think. On a good night I can see the two dark dust lanes northwest of the core region, and also a vague suggestion of clumpiness in the spiral arms, particularly around the star cloud NGC 206. The two companion galaxies, M32 and the fainter M110, are also easy to spot.

Andromeda and our own Milky Way are the two largest members of the Local Group - a modest collection of at least 50 (mostly dwarf) galaxies occupying a region of space 10 million light years across. Roughly 14 degrees south of M31 is the third largest member of the Local Group, M33 (aka the Triangulum Galaxy). Here's an image I took at the end of August, using the same camera/telescope combination, this time assembled from two hours of data.

Although M33 is only little further away (relatively speaking) than M31 at 2.73 million light years it has a very low surface brightness - and is consequently much harder to see. It's also very sensitive to light pollution. Oddly enough I always found this galaxy easier to spot in a pair of 7x50 binoculars than in my 4-inch refractor. Even on a good night it was vanishingly faint.

In the 10-inch Dobsonian it appears as an extended misty patch of light with a tiny star-like nucleus. On a favourable night I can just about make out the two main spiral arms (the northern one is brighter and easier than the southern one). Higher magnification reveals a prominent misty spot 13 arcminutes northeast of the nucleus (visible as a blue blob in the image above), lurking close to an 11th magnitude foreground star. This is NGC 604, one of the largest star forming regions in the Local Group. It's a whopping 1,500 light years across, which is roughly the distance between here and the Orion Nebula.

Both M31 and M33 have been extensively studied by astronomers using the Hubble Space Telescope and, as you might expect, the images are spectacular:

Hubble's high-definition panoramic view of the Andromeda Galaxy
Triangulum Galaxy shows stunning face in detailed Hubble portrait

Into the Whirlpool

Ask someone to draw you a galaxy and chances are they'll come back with a spiral shape. Even a small telescope will show you plenty of galaxies (if you know where to look), but how large a scope do you need to see those dramatic spirals? Edge-on galaxies like M82 and NGC 4565 show lots of detail in modest-sized scopes because their light is concentrated into a smaller area, but the majority of face-on galaxies have such a low surface brightness that the slightest haze or encroaching light pollution can render their spiral arms invisible.

There are a few notable exceptions however, and for northern hemisphere observers, the consensus seems to be that Messier 51 (commonly known as the Whirlpool Galaxy) is the best of the bunch. It resides some 25 million light-years away in the constellation of Canes Venatici (the Hunting Dogs), and can be found high overhead on spring evenings near the tail of the Great Bear (Ursa Major).

Here's a photo I took (actually forty-three 90-second exposures, stacked together) in March, showing the spiral very clearly:

M51 & NGC 5195, 28 Mar 2019; Canon EOS 80D + Tele Vue-60 + Vixen Super Polaris

For a larger crop, see the version on my Flickr page.

Sixty-five minutes' worth of sensor data is one thing, but how much of that detail can you actually see with your own eyes? M51 and its interacting companion NGC 5195 are easy enough to spot through even a small scope, but it wasn't until I got the 10-inch reflector that I was able to see them as more than a pair of faint fuzzy blobs. Even then, the detail was elusive, with the dark spaces between the Whirlpool's arms often more apparent than the arms themselves.

My sketching skills are very rusty so it took me three attempts before I got something I was happy with, but here's an approximation of what M51 looks like through a medium-sized scope on a good night:

For this I used the 10-inch Orion XT10 and a Tele Vue Nagler 9mm eyepiece, giving a magnification of 133x.

Depending on the quality of your night sky, you may be able to see M51's spiral with a smaller telescope. I was never able to make it out with my 4-inch refractor (although the two galaxies themselves were obvious), and even with the XT10 I can't always see it, as demonstrated by these excerpts from my observing notes:

19 May 2018 (first night out with the new scope; sky a little hazy)
Not well placed (wrong side of meridian), but both galaxies showed bright cores. Strong hint of spiral arm structure, and a star superimposed over the face of the galaxy (not a supernova!).

10 February 2019 (cold, but not freezing; sky transparency improved considerably once the crescent moon got out of the way)
In a night of highlights, M51 was the undoubted stand-out. After staring at it for a couple of minutes I suddenly realised I could see the spiral arms quite clearly, defined by the dark space separating them. One arm curling out from core region around a foreground star. A magnificent sight at 133x, even though it was still some way from the zenith. With averted vision it started to look like a ghostly monochrome photo.

31 March 2019 (slightly chilly, windy with occasional strong gusts; transparency good, but not up to the standard set on 10 Feb)
Tonight M51 and NGC 5195 had an almost ghostly aspect about them; the spiral arms seemed to fade in and out of existence independently of averted vision. The view wasn’t substantially improved at 240x, other than highlighting some of the brighter areas with a milky glow. 

4 April 2019 (chilly, gusty evening; excellent seeing, transparency improving as night went on)
Best view of spiral structure since 10 Feb; showed particularly well in averted vision. Dark areas between arms just about visible in direct vision. Also found a faint, round little galaxy roughly south of M51 – not plotted in the Pocket Sky Atlas, but later identified as NGC 5198.

(If you're into this sort of thing and you want to read more of my observing notes, I'm in the process of putting them online at https://mskastro.blogspot.com/ )

The visibility of the spiral is very sensitive to sky conditions, so if you don't succeed on one night, try again on another (and make sure your eyes are fully dark-adapted). Patience and persistence are vital. And here's another tip: if M51's spiral still seems maddeningly faint, steer your scope to the other side of the Great Bear's tail and see what you make of the larger (and fainter) spiral galaxy M101. Trust me, when you return to M51 it will seem positively bright by comparison.

So now you have an idea of what it takes to see the spiral in M51, but what about resolving individual stars in this beautiful galaxy? For that I recommend taking a very deep dive into this image by the Hubble Space Telescope...

See also:
Cosmic Challenge: M51's Spiral Arms - Phil Harrington (Cloudy Nights)

Pied Crow Tour of Britain reaches Broadstairs

When I first heard about a Pied Crow being sighted in East Kent I assumed it was some kind of birders' in-joke. After all, what is a "pied crow" if not the definition of a magpie? Also, there's no such bird mentioned in either the Collins Guide or the British Birds (WILDguides) book, not even in the once-in-a-lifetime lists of obscurities tucked away at the back.

But it turns out the Pied Crow is definitely not a magpie, as I found out when I caught up with it on Broadstairs jetty last Saturday (18 May). Even from a distance the white "vest" was obvious, and the bird itself is bigger than a conventional carrion crow (though not as large as a raven).

So is this smartly-dressed corvid (normally a resident of sub-Saharan Africa) a genuine wild specimen or an escapee? I won't get into the speculation on where it might have come from as there's already plenty of that online by people far more knowledgeable than me on such matters, but I will refer you to this excellent article by Sam Viles on BirdGuides. Will it fly (or hitch a ride) across the Channel or will it continue its tour of Britain's seaside resorts? Like the outcome of B****t, your guess is as good as mine.

Next stop France?

As I think I've stated before on this blog, I don't keep a count of the birds I've seen and photographed (although I do keep an index), so it makes little difference to me whether or not it gets accepted onto an official list by the powers-that-be. But I do know that this unusual and striking bird has traveled a long way to get to where I live, so I'm glad I got to see it.

See also:
Birdguides: Pied Crow
Birdforum Opus: Pied Crow

Into the Orion Nebula

M42, Orion: Tele Vue 60 + Canon 80D + Vixen Super Polaris

"An unformed fiery mist, the chaotic material of future Suns" - William Herschel, 1789 

Herschel's description (written long before spectroscopy revealed the true nature of gaseous nebulae) could hardly have been more prescient. The Great Orion Nebula (Messier 42) is indeed a cradle of new stars (at 1,300 light years, the nearest star-forming region to our own sun), visible to the naked eye as a misty patch in Orion's Sword on winter nights.

Viewing M42
I'm occasionally asked what it looks like through a telescope: a one-word answer would be "Majestic", but don't expect to see the full extent of the nebula - or indeed the vivid colours that you get in photos like the one above. As with most deep-sky objects, the Orion Nebula rewards careful and prolonged examination. Here's a sketch I made a long time ago (for GCSE Astronomy coursework!) illustrating the typical low-power view through a small telescope under suburban skies:

One telescopic feature you won't often see clearly in photographs is the Trapezium, a tight grouping of four hot young stars whose ionising radiation has helped sculpt the nebula into the shape we see today. In my 4-inch refractor the nebula is nicely framed in a 24mm Panoptic eyepiece (42x magnification) with layers of nebulosity building up to the core. Add in an Ultrablock filter to improve the contrast and the nebula takes on the appearance of a swooping bird of prey. With a 5mm Nagler (200x) under steady skies, a fifth member of the Trapezium is just visible.

So far the weather has only allowed me one opportunity to look at M42 with the XT10, but even under less than ideal viewing conditions it was immediately obvious that the extra aperture had improved the view dramatically. The core region had a strong green tint and averted vision made it so bright that the Trapezium was almost lost in the glare. Lots of finely detailed structure was visible with dark rifts cutting through the nebulosity. The Ultrablock filter wasn't really necessary for such a bright object, but it did seem to increase the overall extent of the nebula, particularly on the northern side.

Photographing M42
For any birders who've made it this far, the Orion Nebula is arguably to astrophotography what the kingfisher is to bird photography, the gateway drug that lures you into a lifetime hobby. (It even comes with its own fish, of a sort.) The image at the top of this post is a stack (not a mosaic) of 108 thirty-second exposures (plus 15 dark frames and 21 flat frames). As I'm still shooting unguided (for now) I've been careful not to choose targets too far away from the celestial pole, so at -5 degrees declination M42 presented the biggest test yet of my polar alignment accuracy. Fortunately the Great Nebula is a forgiving target - you can pull out a considerable amount of detail and colour even with relatively short 30-second subs. If you look closely, some slight trailing is evident, but not enough to spoil the final image.

Processing M42
As I've said before, acquiring all the light-frames (plus darks and flats) is only half the battle; there's still a lot of work to do. The image above was assembled using the freeware program Sequator. Compare it with my first attempt using the more widely-known freeware DeepSkyStacker. The samples on the Sequator website suggest it's optimised for landscape astrophotography (i.e. wide-angle shots in which the horizon is visible), but it seems to do an equally good job for deep sky photography. In terms of workflow, I certainly found it easier to process the stacked image produced by Sequator. As you can see in the mouse-over comparison below, Sequator did a much better job of retaining the detail around the Trapezium area. There's less noise too, although the DeepSkyStacker version shows more of the fainter regions of the nebula.

 

It's also worth noting that Sequator did an excellent job of identifying and removing the light pollution gradient. DeepSkyStacker doesn't cater for this so I used the Light Pollution Removal tool in Noel Carboni's Astronomy Tools Actions set (which, despite having more user control, did on this occasion leave a series of contour lines in and around the brightest parts of the nebula). The Sequator stack did contain some colour noise, but this was easily removed using the Colour Blotch Reduction tool from the same set.

Other pros and cons: Sequator was fast (less than 30 minutes processing time compared to up to an hour for DSS). However, it also left some curious purple "appendages" around some of the brighter stars, as shown in the crop below:

I've seen Sequator described as "stacking for dummies" on one popular astro-forum, but on the above evidence I think it'll be this dummy's image-stacker of choice for the foreseeable future. This is by no means a rejection of DeepSkyStacker, but more likely an indication that I still haven't learned how to get the best out of it.

I like the colours better in the Sequator version too, although that's a matter of personal taste.

Which one do you prefer?